70s Disco Funk Drum Samples

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Sad robots on the vocoders now – “You decided to walk away… I just wanted you to stay” – with treated guitars switching between wah-wah and slow disco licks. There’s serious Moogy vibration on the syn.

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That immense synthesizer, T.O.N.T.O. (The Original New Timbral Orchestra), spent much of the early ’70s in New York’s Electric Lady. directly presaging the synth-driven disco and funk of Giorgio Mo.

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Back in our heroes’ fictional world, the duo has made it out of the basement and onto the charts with their hit “Must B the Music”, as introduced by a Goon Time DJ (their new fictional label) calling.

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Cash tried again with a disco version of the Shuffle. was enjoying a career renaissance in the early ’70s, most notably with "I Was Checkin’ Out, She Was Checkin’ In," when he punched in with this.

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But as anyone who’s cuddled in Luscious Jackson’s enchantingly gauzy musical blanket of jazz, funk, punk, samples and gorgeous pop knows oh. punk, jazz, pop, disco, and hip-hop — but is so nicely.

Various Artists, Eddie Kendricks, Diana Ross, The Originals, The Supremes, Rick James, Marvin Gaye, Tata Vega, Thelma Houston – Motown Disco: Soulful Grooves From the 70’s & 80’s – Amazon.com Music

In Chicago, Frankie Knuckles was called the. then moved to Chicago in the late ‘70s and developed a reputation as one of the city’s most influential dance-music tastemakers. He arrived in Chicago j.

“We can [go from] something like Death Grips’ ‘Hot Head,’ an electro-punk song [Lakeith Stanfield’s character] Darius is list.

Nu-disco is a 21st-century dance music genre associated with a renewed interest in 1970s US disco as well as synthesizer-heavy 1980s European dance music styles. The genre was especially popular in the mid 2000s, and experienced another small resurgence in the early to mid 2010s.

!K7 represents the catalog of wide variety of independent labels and artists for sync licensing internationally. Areas of specialty include electronic music, world music, vintage disco and funk, neo-classical/ambient and much more.

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Plus, there are so many boxes of disco, soul, and electro classics on the. trusting his customers to find deep cuts from funk groups that have long disappeared. Brooklyn sample-seekers and loop-dig.

(We’ll talk about Casey’s thoughts on disco later. great time." The funk band Kwame Binea Shakedown will be opening for KC and the Sunshine Band at Indian Ranch on Sunday. The show starts on the ma.

He may be most recognized for leading the late-1960s/early-’70s vocal group the Lost Generation, but Simon’s compositions also included doo-wop, gospel, a film score, funk and disco. and this sampl.

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On their dub of Bob Marley’s "Keep on Movin’ " from Blackboard Jungle (1973), Tubby and Perry let the acoustic guitar intro chime in before quickly stripping the track down to its elemental bass and d.

It’s a shame because anyone who pines for the disco boogie beats of the 70s (and who. brazenness of Uncle Funk himself (Simon Baker) sporting an illuminated codpiece of epic proportions. At the bac.

Quartz Africa is a guide to the important. who died on Tuesday at the age of 70. Eight and a half minutes of musical magic that managed to be equal parts lo-fi funk and hi-tech synth futurism. Imag.

Funk is a music genre that originated in African-American communities in the mid-1960s when African-American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B).

Now 23, G-Eazy. doo-wop samples: Unlike, say, classic R&B and ’70s disco, doo-wop is an under-sampled genre that he has had almost entirely to himself. "The tempo syncs up perfectly with contempora.

Their music was a seminal source for sampling in early hip-hop — especially “Pump Me Up,” a song sampled over 70 times, including by Public Enemy in “Fight the Power” and Kurtis Blow in “If I Ruled Th.

December 31, 2004. The Hold Steady: Almost Killed Me Frenchkiss, 2004 Rating: 4.0 New York-based rock outfit The Hold Steady comprises Ex-Lifter Puller singer Craig Finn and bassist Tad Kubler (shifting to lead guitar), along with drummer Judd Counsell and bassist Galen Polivka.

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At first glance, ZZZ’s were just three Japanese women flailing away with punky intent on drums, guitar and fuzzed-out. The beats touched on the late-70’s staples of punk, funk, disco and dub reggae.

It played all 10 of the disc’s cuts, starting with “Baby Don’t Leave Me Alone with My Thoughts” – a drums-and. around in a disco-inspired dress drove home the point. “Red Light Kisses” also was 197.